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ATB
Written by Administrator   
Saturday, 02 January 2010
European club favorite ATB, born Andre Tannenberger, is best known for scoring high on the charts with his 1999 Sound of Ministry release "9pm (Til I Come)." Fashioned from soul-lifting synths, seductive vocal snippets and physically-fit beats, this trend-setting Teutonic Trancemaster's anthems have proven to be some of the most memorable moments in dance music's developing history. - Melissa Piazza
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Jamie Lidell
Written by Administrator   
Friday, 04 December 2009
Justin Timberlake can cut a rug like nobody's business, and Maroon 5 know their Chic inside and out. Yet arguably the funkiest blue-eyed soul man since Daryl Hall lives across the pond. Much like the legendary Arthur Russell and later Matthew Dear, Lidell is a pop singer with a background in esoteric dance music; he and Cristian Vogel, under the name Super Collider, released two albums of quasi-ambient electronica in the late '90s. The Brit approaches soul music more like a producer meticulously constructing sonic collages than a traditional frontman. Although his debut Muddlin Gear was a continuation of his interest in pure sound, Lidell turned into a straight-up crooner for 2005's Multiply. In addition to a host of standard, non-electronic instruments, the album features him making a clutch of sounds -- from the punchy percussion to the falsetto backup singers -- with just his voice (a feat he wowed audiences with when he toured in support of the album). But while that's a novel trick, Lidell clearly understands soul's vast history. He is as well versed in the post-'70s era (Prince, D'Angelo) as he is in the classics of both Northern and Southern soul. Then again, soul is a shadowy quality that lives somewhere beyond knowledge and skill. Some folks have it; some don't. And Lidell certainly does. - Justin Farrar
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YACHT
Written by Administrator   
Friday, 25 December 2009
Portland, Ore.'s Yacht began as a side project of the irrepressible electro-pop duo the Blow. But Jona Bechtolt's pleasure cruiser quickly outpaced the winds of his other act, as Yacht refined its low-slung, party-ready brand of indie dance on records for States Rights, Marriage and finally DFA. Yacht's first album, Super Warren MMIV, was a collection of blippy instrumentals that suggested a kind of computer-aided needlepoint, bristling with nubby LEDs and analog synths as soft as cashmere. After Mega, which contorted the material into a more tangled shape, Claire L. Evans came on board and steered Yacht into deeper, fresher waters where acoustic instruments and sung melodies intermingled with electronic dazzle. After touring with LCD Soundsystem, the band signed to DFA and released 2009's See Mystery Lights, their most fully realized effort yet, fusing quirky sound design with crack songwriting and offering Hot Chip some stiff competition for the 21st century electro-pop throne. - Philip Sherburne
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David Guetta
Written by Administrator   
Friday, 22 January 2010
You could be forgiven for thinking that David Guetta is famous simply for being famous: that's the message, however ironic, of "F*** Me I'm Famous," the name of both his long-running Ibiza residency and his first mix CD. But the French DJ and producer has earned his acclaim, repurposing soulful deep house with a shiny French touch and adding radio-ready vocals for a package that's pure pop panache.

Guetta's career as a producer began in 1992, when he released "Up and Away" with the Chicago vocalist Robert Owens, but it wasn't until seven years later that he returned with "Just a Little More Love," a catchy tribal-house cut. The following year, his debut album proved that its title cut was no fluke: full of hooks and vocals, the record augmented charging house beats with touches of gospel and electro and even a jubilant remix of David Bowie's "Heroes." In 2004 Guetta returned with Guetta Blaster, featuring club hits like Depeche Mode-flavored "The World Is Mine" and "Love Don't Let Me Go Walking Away," his smash collaboration with U.K. festival favorites the Egg; it also includes a rare downtempo remix from Paul Oakenfold. In 2009 he set his eyes firmly on the pop charts with One Love, featuring guest vocals from Ne-Yo, Kid Cudi and Will.I.Am.

- Philip Sherburne
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Junkie XL remix Madonna track nominated for Grammy Award

Junkie XL has been nominated for a Grammy in the category best remix. Tom Holkenborg: "It is a huge honor for me so would like to thank all the people involved in the remix committee's. Now it is up... pa

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